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Like most of Shonibare's works, Dysfunctional Family is a playful exploration of status, alienation, and multiculturalism. This is accentuated by the artist's use of batik, a colorful, patterned material often used as a symbol for exoticism or "Africanness." The fabric, however, is not indigenous to Africa, but is actually colonial in origin. First made in Indonesia, it was imported to Holland and reproduced by English designers. Dysfunctional Family consists of four stuffed mannequins of a stereotypical "space-alien" family that, at about four feet high, look like oversized cartoon toys. The artist here uses the patterned fabric as a metaphor for the phenomenon of cultural confusion, unveiling the notion of identity as a construct. At the same time, he uses the creatures to play on the notion of the foreign--or "alien"--in today's social fabric. Shonibare's work was included in the Walker's 1991 exhibition Interrogating Identity. He won the Paul Hamlyn Foundation Award for visual artists in 1998. This sculpture adds further depth to the Walker's collection of young British artists of African descent, joining works by Chris Ofili and Keith Piper in the permanent collection.
Text Citation
Label text for Yinka Shonibare, Dysfunctional Family (1999), from the exhibition State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis, July 22-October 8, 2000.
Object Details
Dimensions: father 58.25 x 20.5 x 15 inches
Classification: Sculptures; Sculpture
Physical Description: Three standing alien figures constructed of stuffed wax printed fabric.
Owner: Walker Art Center
Accession Number: 2000.99.1-.4
Credit Line: Butler Family Fund, 2000 |
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